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									LIMESTONE 
									Gobelin 
									Exhibition by Ehalill Hallisteinspired by the cross-sections of the 
									national stone of Estonia
 
									December 8, 2019 - February 9, 2020   Deep in the 
									limestone under my feet is the swash of 
									seashells,But I am allowed to smooth just the silence 
									on its face.
 Ellen Niit. Song of Limestone,1965
 Ehalill Halliste picktures limestone 
									surfaces sintered in sea bottom during 
									millions of years and weaves the structures 
									and ornaments of limestone – the national 
									stone of Estonia – into her gobelins. It is 
									a vivid documentation depicting surprisingly 
									variegated composition and palette of 
									colours.
 Some time ago I was looking for a good idea 
									for a monument f or a dear person of great 
									mind, from publications about limestone. I 
									also found inspiring substance for my 
									gobelins – Estonian limestone 
									cross-sections.
 Ehalill Halliste (born in 1948) studied 
									textile art at the National Art Institute of 
									Estonia in 1971-1976. After working at ARS 
									and also as a teacher, since 2002 she is a 
									freelancer. She has been given lots of 
									prizes, among others also the honour of the 
									White Star.
 On May, 4, 1992 Limestone was declared 
									the national stone of Estonia. Especially, 
									because of the Lasnamägi building limestone, 
									which reveals in the North-Estonian cliff. 
									The building limestone is not colourful but 
									it is possible to paint marvellous patterns 
									of stone that seems just gray at first 
									glance.
 Kalle Suuroja: ABC of Stones/ Estonian Rocks 
									2004
 Limestone is 
									Estonian national stone that enriches oour 
									nature and culture. Without it we would not 
									have the churches, manors, living houses in 
									towns or many other limestone buildings as 
									they appear to be. Limestone buildings are 
									self-evident, especially in North-Estonia. 
									We realise its importance usually only when 
									facing history, building our home or 
									searching a souvenir to act as a brand of 
									Estonia.Helle Perens: Limestone in Estonian Building 
									2003
 Trails of life 
									in rocks lead us to secrets of the history 
									of the Earth, to the ancient springs of 
									life. At the other end of the river flowing 
									out of these springs stands man himselt 
									Rein Raudsepp
 The Museum of New ArtOpen every day from 9 a.m. to 7 p.m.
 Esplanaadi 10, Pärnu
 www.mona.ee
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 | IMMORTAL 
									Drawings 
									by Jüri Arrak 
									November 19, 
									
									2019 - January 19, 2020 "Showing his 
									most intimate drawings in public, Arrak 
									insures his status as "immortal," said Mark 
									Soosaar seeing the exhibition in Tallinn. "I 
									suspected Jüri to win a place in the art 
									history of world one day, as I saw his first 
									exhibition through the windows of the art 
									salon in Tallinn one night in the late 
									sixties. Now he has really done it," 
									said Soosaar.
 At the exhibition in the Museum of New Art 
									aeonian landscapes vary with ever-present 
									conflicts between living creatures. This is 
									the visual bible of the 21st century, about 
									which art historian Tamara Luuk has said:
 "Landscapes in Jüri Arrak’s artworks are 
									presented temporarily, usually just as 
									back-cloth. In advanced age he has done 
									solely a landscape very rarely, but in the 
									years of apprenticeship and on earlier trips 
									as an exercise for his hand. Preparations 
									for the exhibition began from the intention 
									to reduce the significance of the so called 
									’symbolic persons’ who have declared cosmic 
									truths for long years, and expand the 
									unselfish spirit of life of the city- and 
									landscapes in Arrak’s new drawings. To 
									reflect the talent and crafts of the artist, 
									speaking about his profession silently but 
									sparkingly. Unforunately the curator’s 
									intentions and the artist’s efforts proved a 
									failure, producing a result, put into words 
									by Arrak, without any sorrow, as follows: 
									"An old man does not learn new tricks."
 
 Finally, we made a choice of his drawings of 
									the last five years. If it seems a bit 
									diverse, the author has said consolingly: 
									"There certainly is a link between them and 
									that is me."
 
 The landscapes at this exhibition are 
									wonderfully accomplished exercises for hand 
									and eye made in different times in the Kola 
									Peninsula, Carpathians, Vietnam and France. 
									There are lots of ample valleys and lakes, 
									castles and fortresses where the artist’s 
									hand has tried to capture the grandness seen 
									by eyes, and where the artist’s philosophy 
									does not dictate the semantic field.
 
 Jüri Arrak has worked as freelancer since 
									1969, next to painting, his artworks consist 
									of graphic art and drawings, illustrations, 
									jewellery, medals, blankets, decorations for 
									films, also numerous speeches and writings – 
									a phenomenon of monologues."
 
 Exhibition IMMORTAL is open from November, 
									19, 2019 to January, 19, 2020.
 
 
 The Museum of New Art
 Open every day from 9 a.m. to 7 p.m.
 Esplanaadi 10, Pärnu
 www.mona.ee
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