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												 | OKAS IN 
									PÄRNU AND HIROSHIMA 
									September 
									10 - October 13, 2019Opening 10.09 kell 16.00
 Evald Okas 
									(1915–2011) is remembered in the art history 
									of the 20th century as one of the best 
									drawing artists of the world. He had only 
									one competitor – Pablo Picasso. Whereas the 
									erotic drawings of the Spanish genius were 
									completed when the artist was still young, 
									and they are kept like crown jewels between 
									the medieval stone walls of Picasso Museum 
									in Barcelona, our Evald Okas remained erotic 
									even in advanced age and his most masterful 
									drawings were born at the Man and Woman nude 
									sketch masterclasses at the Museum of New 
									Art in Pärnu. We, too, keep the art work by 
									our great master as treasures. The nudes 
									drawn, sketched and painted by Evald Okas in 
									1994–2008 in the Summer Capital of Estonia - 
									Pärnu - are for the first time exhibited as 
									a whole presentation at the show OKAS IN 
									PÄRNU AND HIROSHIMA.
 The second part of the exhibition reflects 
									the deep sympathy the artist felt for the 
									hundreds of thousands of people who perished 
									or were crippled because of nuclear bombs in 
									Hiroshima and Nagasaki. And again, we must 
									think of Picasso. The art work of both 
									artists had a strong social aspect. In my 
									opinion, Hiroshima, a large painting by 
									Okas, can be compared to Guernica by 
									Picasso. Both cities were burned down in the 
									fire of war. Only few inhabitants escaped 
									alive. Both works reflect powerful protest 
									against total violence and desire to share 
									the pain of victims.
 
 During his trip to Japan in October, 1963, 
									Okas sketched a number of Japanese women, as 
									a result of which, back at his tudio in 
									Tallinn he created a series of paintings in 
									1963-65, most of which were kept in Estonian 
									Art Museum and in Tartu Art Museum.
 
 We also hope to introduce the other series 
									of paintings and graphics by Okas about 
									Paris, Venice etc. where he managed to 
									travel as a member of Russian Art Academy in 
									1960-ies.
 
 Okas’s exhibition is followed by that of 
									Japanese architecture and urban planning in 
									XX Century, asking a tricky question – 
									perhaps the cities without any planning 
									develop more successfully than those planned 
									by strickt urbanists?
 
 CITIES IN TROUBLES 
									about Tokyo’s sprawl mainly is brought to us 
									by Japanese Embassy. The capacios exhibition 
									(two huge truckfuls!!!) has travelled 
									through Asia, America, Australia, New 
									Zealand. Now this abundant show of scale 
									models, videos and urban plans landed in 
									Europe and straight in Estonia.
 
 I advise to come to see and think – where 
									are you heading for, our dear mankind?
 
 Mark Soosaar
 Curator of the Museum of New Art
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